No.4 is, in E. Robert Schmitz' opinion, a "very modern composition; a brilliant predecessor and forerunner of a syncopated age." A fundamental rhythm in the left hand sets off staccato melodic chords placed strategically between the beats - for a curiously restless effect. Huneker tells us that "Stephen Heller remarked that this study reminded him of the first bar of the Kyrie - rather the Requiem Aeternam of Mozart's Requiem."
[Chopin] Etude Op.25 No.4 a minor
[Chopin] Etude Op.25 No.4 a minor
쇼팽 에뛰드
Valentina Lisitsa
No.4 is, in E. Robert Schmitz' opinion, a "very modern composition; a brilliant predecessor and forerunner of a syncopated age." A fundamental rhythm in the left hand sets off staccato melodic chords placed strategically between the beats - for a curiously restless effect. Huneker tells us that "Stephen Heller remarked that this study reminded him of the first bar of the Kyrie - rather the Requiem Aeternam of Mozart's Requiem."