Roberto Bernardi 로베르또 베르나디     하이퍼 리얼리스트- 극묘 사실주의 화가 로베르또 베르나르디는 1974년 이태리의 토디에서 출생했다. 어려서부터 르네상스 미술의 회회기술을 연구하고 그 자신의 회화양식으로 발전시키며 극사실주의의 표현기법을 연마해왔다.   Roger Bansemer


 
"Arapika Bait House"




 
"Grenada"




 
"Flower Market"




 
"The Forest Floor"




 
"Morning Flight"




 
"Portland Head Light"





"Tropical Forest Floor"

 
"Il Prezzo dell’ Anima"
2006
oil on canvas
18 x 18





"Vitamin Water"
2007
oil on canvas
26 x 27.5"


Still Lifes



"I Simili"
2004
oil on canvas
17 x 18.5





"Luci Dal Profondo"
2004
oil on canvas
22.375 x 33.5





"Trionfo"
2005
oil on canvas
30 x 35





"Dimensioni Sovrapposte"
2006
oil on canvas
19.75 x 27.5"





"L’Illusionista"
2007
oil on canvas
23.5 x 35.5"





"Cerchi Perfetti"
2006
oil on canvas
31.5 x 47"



Raphaella Spence

Paintings



"The Poet"
2004
oil on canvas
27.5 x 19.5





"The Lion of St. Mark"
2004
oil on canvas
12.5 x 20






"Mirror of Hope"
2004
oil on canvas
39.5 x 31.5
   Roberto Bernardi   ROBERTO BERNARDI was born in Todi in 1974. His first works date from the mid eighties, and whilst a young student he dedicated himself to the study of Renaissance painting and pictorial technique, which later proved to be extremely import!!ant in the development of his personal creativity. In 1993 he moved to Rome, where he worked as a restorer in the church of San Fransesco a Ripa. After this experience, he dedicated himself full time to the creation of his own hyper-realist works. The realistic elements of the composition are filtered through a photographic image resulting in a highly technological reproduction. This image is then successfully translated, using the traditional techniques of oil painting on canvas, to a perfect image of reality. Despite adopting the aid of advanced photo technology, his personal translation of his subjects follows a classical line, such as the traditional priming of the canvas, as practised by the painters of the 16th and 17th centuries, combined with the perfection of oil painting technique. Bernardi’s still life follows a mould of classic compositions with great emphasis on the contrast of lightness and transparency further enhanced by his ability to bring out light directly from the objects represented as if they themselves had the capacity to emit light. His paintings are in numerous public and private collections throughout the world.